Hollywood Smashes Hitler! Propaganda-tainment from WW2 - Fri. Apr 18 - 8PM

Oddball Films and guest curator Lynn Cursaro present: Hollywood Smashes Hitler! Propaganda-tainment from WW2 featuring a smattering of 16mm delights from the 1940s. During the big one, the Hollywood homefront pitched in big time! Silver screen stars served and those who didn’t signed on to support the war effort in their special way. Filmlanders shilled for war bonds in the glittering All Star Bond Rally (1945) featuring Bob Hope and Carmen Miranda. Frank Sinatra shines as a potent symbol of tolerance in the musical short The House I Live In (1945). Director Fred “High Noon” Zinneman reminds us that refugees are people, too in The Greenie (1942). Kookie novelties such as In Current Events kept the message light with live action talking animals. Cartoons doled out info to both GIs in Pvt SNAFU Vs. Malaria Mike (1944) and the public at large with Meet John Doughboy (1941). The USO could count on manic Betty Hutton in The Stork Club (1945) and crafty comic strip pals Nancy and Sluggo Doin' Their Bit (1940s) to lend a hand. And MORE! Home-baked carrot cookies and other Victory treats while they last! Get those bandages rolled early and come on down!

It’s Frank’s World War, Too
Date: Friday, April 18th, 2014 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117

Birdstravaganza - Fine Feathered Films - Thur. April 17 - 8PM

Oddball Films and curator Kat Shuchter bring you Birdstravaganza - Fine Feathered Films with a lineup of the best birds in showbiz featuring international animation, mini-docs, circus birds and bird-centric shorts from the 30s-80s.  From the quirky to the creepy, campy to classic, these feathered films are sure to delight. Behold the marvelous spectacle of parakeets riding bicycles and tightrope walking in the vibrantly colored Bird Circus (1950s) In the utterly charming Czech rarity Queer Birds (1965), the cutest pair of best bird friends you'll ever see must team up to fight off an oppressive black cat (and dance around to the radio). Live kiddos chat with animated birds about the all-seeing bird network that knows our every move in the Tiny Tot cartoon A Little Bird Told Me (1934). Edgar Allen Poe's tale of grief and loss The Raven (1978) is beautifully translated to the screen through the optical printing of Gustav Dore's haunting engravings. From Hungary comes The Blackbird (1979) the bizarre live action tale of a bird wreaking havoc on a whole house and its inhabitants (including the dog). The Academy Award nominated Italian animation The Thieving Magpie (1967) tells of another bird in revolt, this time against its hunters and set to Rossini's classic overture.  Daffy Duck noirs it up with a feathered femme fatale in Robert McKimson's Super Snooper (1952).  The San Diego Chicken gives us a lesson in Chickenomics (1985).  Forget falconry, discover how to train eagles to hunt for lizards with wonder-bird Aguila in the super-rare Daniel and Julie Mannix with their Eagles (1940s). And learn all about the fascinating science of bird navigation in Bird Brain (1974) which will be double-projected with 1950s Kodachrome mini-docs Five Colorful Birds, Birds that Eat Flesh and another high-flying carnival, Parakeet Party. Everything will be screened on 16mm film from the archive and we've got even more surprises under our wing for the early birds!

Date: Thursday, April 17th, 2014 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com/2014/04/birdstravaganza-fine-feathered-films.html

Learn Your Lesson...Juvenile Delinquents - A Rebellious Shockucation - Fri. Apr. 11th - 8PM

Oddball Films and curator Kat Shuchter present Learn Your Lesson...Juvenile Delinquents - A Rebellious Shockucation, the fourteenth in a series of programs highlighting the most ridiculous, insane and camptastic educational films, mental hygiene primers and TV specials of the collection.  This month we are taking on those teenaged hoodlums that shoplift, vandalize, do drugs and wield knives.  The RKO Screenliner Teenagers on Trial (1955) warns parents and teens alike that overcrowded classrooms, vacant parenting and societal pressures can all lead kids down a road of juvenile delinquency. William Shatner sets the kids straight about Graffiti (1974) and encourages them to make Mission-style murals instead.  One teen boy has got all the answers about shoplifting, until he ends up at the police station in Caught in a Rip-Off (1974).  Richard Widmark narrates the classic mental hygiene scare film Boy With a Knife (1956).  Fat Albert and the Cosby Kids find out that even stealing a delicious candy bar is wrong and worth narcing about in Take Two, They're Small (1975). Tragic figure Sal Mineo knows the pressures on teens to fit in, but warns that taking acid is nothing more than a "kick in the head" in the appropriately psychedelic trip LSD: Insight or Insanity (1967).  And in McGruff on Personal Property (1987), McGruff the crime dog barks about respecting other people's property and (as always) narcing on your vandal friends.  In Jojo's Blues (1982), directed by Peter Wallach, Jojo is just a claymation puppet that wants to belong, but the initiation rites in the local gang are at too high a price to pay.  Plus, a heartwarming excerpt from Scott Baio's very first Afterschool Special, Luke was Here and more JD surprises in store, it's a great time to learn your lesson!

1Date: Friday, April 11th, 2014 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com/2014/04/learn-your-lessonjuvenile-delinquents.html

Stop-Motion Explosion! - Thur. Apr. 10th - 8PM

Oddball Films and curator Kat Shuchter bring you Stop-Motion Explosion!, a program of mind-blowing stop-motion animation from the 1910s to the 1980’s. In a world saturated with CGI, Oddball Films opens the vaults to celebrate when historical, fantastical and anthropomorphic creatures were hand-sculpted and manipulated into “life.”  This program features stop-motion heavy-hitters Ray Harryhausen, George Pal, Art Clokey, Ladislas StarĂ©vich and Will Vinton including several rare works we've just uncovered for their big Oddball debut.  Ray Harryhausen and George Pal became two of the biggest names in special effects wizardry in Fantasy film creature making, but they both got their start making charming and stunning stop-motion shorts.  Ray Harryhausen's Mother Goose Tales (1946) was his first solo project and features intricately rendered puppets and gorgeous color thanks to the magic of Kodachrome film stock.  George Pal's Puppetoons showcase art deco artistry, hand-carved wooden puppets and an exuberance unmatched to this day and we've got two of them; The Big Broadcast of 1938 (1937) and the newly uncovered Sky Pirates (1938).  Gumby and Pokey run away from home and blast off into space in The Small Planets (1957).  Will "California Raisins" Vinton turns clay into pre-hysteria in the much loved claymation marvel Dinosaur! (1987).  Chuck Menville and Len Janson revived the art of pixilation (stop-motion animating people) to hilarious effect when a biker gang tears around the roads without their motorcycles in Vicious Cycles (1967). Ladislas StarĂ©vich's Cameraman's Revenge (1912) is now over 100 years old, but it's buggy tale of infidelity remains delightful. A little girl befriends a carousel lion in the adorable Soviet short The Imagination Film (1977).  Rutabagas and radishes dance up a storm in The Rutabaga Rag from Di$ney's Symposium on Popular Songs (1962).  Arthur Lobel's beloved amphibians come to life and enjoy their domestic partnership, the spring and a series of quirky adventures in Frog and Toad are Friends (1985). Watch mice dance in The Rolling Rice Ball (1965) from Japanese stop-motion company Gakken Films.  Plus, Art Pierson's Whazzat? (1975) and more stop-motion surprises, it's a night one million minute movements in the making!

Date: Thursday, April 10th, 2014 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com/2014/04/stop-motion-explosion-thur-apr-10th-8pm.html


Oddball Films wants to give a special shout-out to Noel Lawrence and his new picture Sammy-Gate. The film is a dark political satire about how Sammy Davis, Jr. caused Watergate. How the hell did he do that? You will need to the see the film, but the twisted plot involves The Mafia, J. Edgar Hoover, Howard Hughes, and the Church of Satan. 

70s retro-philes take note! Sammy-Gate doesn’t just take place in the bad ol’ days of the Nixon era. The film looks like it had been stored in a basement since 1973. Shot on vintage 35mm Panavision gear and lenses in Cinemascope, the footage was pushed extra stops to give it that dirty grindhouse look we cinephiles know and love.  Additionally, Sammy-Gate provides a visual feast of seizure-inducing psychedelic visuals as well as a dizzying collage of obscure and eye-popping archival footage from the Vietnam War and Nixon Administration. 

At the moment, the filmmakers are doing a Kickstarter to raise completion funds for the picture. So, if you have some spare change lurking between the cushions of your couch, they are offering some awesome rewards for donors, including stuff from Gidget Gein (of Marilyn Manson), author Darius James, cult director J.X. Williams, and psychedelic rock outfit Spindrift.
Click here to check it out and SPREAD THE WORD!

What the F(ilm)?! 4: Quadruple the Cine-insanity - Fri. Apr. 4th - 8PM

Oddball Films and curator Kat Shuchter present What the F(ilm)?! 4: Quadruple the Cine-insanity an evening of some of the most bizarre, hilarious and insane films from our massive 16mm collection.  This time the insanity includes safety lessons from monkey-children, Jesus as a mime, swingin' promotional films and a Busby Berkeley musical number.  Monkeying around on your bicycle has never been more deadly than for the 10 chimp-masked children heading to a picnic but not following the rules of the road in the legendary One Got Fat (1963). Jesus is a mime at a circus, alleviating the burdens of his fellow carnies before being crucified as a marionette in Parable (1964). Mel Brooks freaks out over experimental animation in Ernie Pintoff's Oscar winning cartoon The Critic (1963)  One housewife can't contain herself once she discovers RIT fabric dye in the swingin' Color for Joy (1962). Children sing longily about cuts of meat over foody montages in the pint-sized musicalamity The Eating, Feel Good Movie (1974).  Learn how to shoot like the cops when confronted with various deadly scenarios in Shoot, Don't Shoot II (1973) Princess Cruises wants you to know how a cruise can make All The Difference in the World (1970's) and the grandiose narrator is willing to pound it into your head with the help of a staff and clientele in the shortest of short-shorts.  And our musical interlude for the evening will be Busby Berkeley's feline frenzy Sittin' on a Backyard Fence from Footlight Parade (1933).  It's a great night to lose your mind to 16mm cine-insanity!

Date: Friday, April 4th, 2014 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117

A Decade of Experimentation: 1960s Avant-Garde Cinema - Thur. Apr. 3rd - 8PM

Oddball Films presents A Decade of Experimentation: 1960s Avant-Garde Cinema, an evening of breathtaking, mind-blowing experimental films featuring works by Norman McLaren, Saul Bass, Chick Strand, Arthur Lipsett, Pat O'Neill, Bruce Conner and more.  The 1960s were a decade of political turmoil and rebellion as well as sexual and pharmaceutical experimentation.  This shift in consciousness affected a whole generation of media innovators who used the climate of change to permanently alter the landscape of cinema.  Canadian innovator Norman McLaren's Pas De Deux (1968), superimposes the minute movements of two glowing ballet dancers to create one of the most beautiful and ethereal films of the collection. Why Man Creates (1968), directed by Saul Bass, explores the human impulse towards creativity while vacillating between live action and animation.  Collage film master Bruce Conner reimagines the Kennedy Assassination by remixing news footage in Report (1967). Arthur Lipsett's Very Nice, Very Nice (1961) is a culturally disruptive montage of still images and his first film nominated for an Academy Award.  Underground Film (1970) is a television arts program segment on the Bay Area's own Chick Strand, going in depth into her process and displaying excerpts of several of her most important films of the 1960s.  Local legend George Kuchar's Lady from Sands Point (1967) is a zippy, trippy portrait of artist Betty Holiday. The languid rhythms of fades, dissolves and superimpositions permeate 7362 (1967)  a masterful avant garde film by the auteur of the optical printer Pat O’Neill. Watch the surreal, beautiful and disturbing images of horses in the ocean in Denys Colomb de Daunant's innovative film, Dream of the Wild Horses (1962), suitably scored by Jacques Larsy. Plus! Homegrown hallucinogenic freakout SF Trips Festival: An Opening (1967) and more surprises for the early birds.

Date: Thursday, April 3rd, 2014 at 8:00PM
Venue: Oddball Films, 275 Capp Street, San Francisco
Admission: $10.00 Limited Seating RSVP to: 415-558-8117 or RSVP@oddballfilm.com 

Erotic Oddities - Fri. Mar. 28 - 8PM

Oddball Films and curator Kat Shuchter present Erotic Oddities with the most bizarre and offbeat smut, burlesque and erotica of the collection.  From insane pornographic cartoons to marionette strippers, experimental sex to bizarre stag films, this is one night of the strangest smut you'll ever see. One of the earliest stag films, Getting his Goat (1923), a man is in for a surprise when he propositions sex through a hole in a gate.  Eveready Hardon heads to the beach in the outrageous cartoon Buried Treasure (1928).  Nudism: A Way of Life (c. 1950) sheds light on the rise of nudist culture in Mid-Century America.  Get ready for the disgusting pornographic animation featuring music by the Beach Boys and a vegetable gang bang (literally) with Sandy Sunrise in the Babysitter (1971).  One man strips his inhibitions and his clothes when he walks into a North Beach nudie show and becomes the star attraction in a slice of local home-made homoerotica, The Groping Hand (1968).  Experimental filmmaker Scott Bartlett creates a lyrical poem out of the flesh and fantasy of Lovemaking.  A drunk old farmer tries to tune in to naked ladies on his new TV set in the bizarre and notorious nudie cutie Uncle Si and the Sirens.  We all know sex sells; learn the tricks of its best sellers in a Special Edition segment on Frederick's of Hollywood (1970s).  Burlesque queen Betty Dolan is half-woman, half-devil and all erotic in the expertly costumed and innovative Satan-tease (1955).  Plus more bizarre burlesque, The Fabulous Cat Girl struts her stuff and the marionette striptease The Doll Dance with Rene and Arlene.  And perhaps the most insane piece of smut we've located within these fertile walls, the man on stuffed animal flick, Beaver Boy (1968) will be double projected with nature footage.  With more sexy surprises in store, you'll never think of smut the same way again!

Date: Friday, March 28th, 2014 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com