Date: Friday, February 1st, 2013 at 8:00PM
Venue: Oddball Films, 275 Capp Street, San Francisco
Admission: $10.00 RSVP (Limited seating) to firstname.lastname@example.org or 415.558.8117.
It’s Alright To Cry from Free to be...You and Me (Color, 1974)
Rosey Grier was an NFL star turned Renaissance Man, presidential bodyguard, singer, actor, needlepoint enthusiast, and Christian Minister. In this comforting ballad, “The Gentle Giant” teaches girls and boys alike that a little tearfest never hurt anyone, and even one of the Fearsome Foursome can be “sad and grumpy, down in the dumpy.”
Part of Paramount’s Musical Parade Feauturette Series, this early Tiki film has angry Tiki gods, exploding volcanoes and a curse-lifting, human sacrifice plot with some song and dance numbers and a happy marriage ending. The not-so-authentic natives include Nancy Porter in her starring role debut (never to be heard from again) and several B-movie pretty boys. Music by Napua, Sam Koki and his Islanders and Pau Kua Lana Girls. Director William Shea’s most notable later work was an episode of “Mister Ed”.
Tom Lehrer lends his voice to this set of two shorts around waste and air pollution. Musical, with a smog-accentuated and industrial sound design, try and find answers to this leading world problem.
Hoffnung Palm Court Orchestra (Color, 1965)
No matter what the calamity, from fire to shipwreck and beyond, this blissful trio plays on in sweet, sweet oblivion. A colorful cartoon take on the veddy, veddy British idea of keeping calm and carrying on, from the makers of Oddball fave Birds, Bees and Storks.
As if Junior High wasn't awful enough, imagine adding song and dance numbers about the most awkward aspects of your life and changing body! This musicalamity revolves loosely around a party, planned by Sherry, played by none other than 16 year-old Paula Abdul. Everybody's gotta be there, and lots of singles still need a date, which leads to triangles and hilarity. In this hilarious excerpt, the song and dance numbers tread into uncomfortable territory when the whole girl's locker room dances around 3 gals in the "Itty Bitty Titty Committee". It's an epic camp musical masterpiece!
A charming excerpt from director Ray Enright's Dames. During the spectacular musical number I Only Have Eyes for You, Ruby Keeler is the only girl in the world, but there are hundreds of her in this dreamy landscape. And from those hundreds, one face emerges, and when Miss Keeler pops out of a giant eye there can be little doubt that notorious dance director Busby Berkeley was something of a Hollywood branch of the Surrealist movement.
A musical laugh riot. Children dressed in their Sunday best have a sepia-toned tea party and begin to sing about the food groups over enticing shots of vintage food. One boy sings longily over a meaty montage "I'd like a roast or a chop or a steak or a stew so I'll have big strong muscles and I'll grow right too." A creepy campy masterpiece!
Clip from the great Busby Berkeley musical Footlight Parade- Human kitties sing, dance and frolic to the Tin Pan Alley favorite.
I'm Mad at Me (Color, 1974)
Did you ever wake up on the wrong side of the bed? Did it effect the way you treated those people around you? Didn't you just want to punch somebody? Did you then commence to sing a high-pitched song about it all day? Well both Jimmy and Suzy are having a day like that. I hope they can find out who they're really mad at!