Date: Thursday, October 15th, 2015 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com
Web: http://oddballfilms.blogspot.com
Featuring:
An Occurrence at Owl Creek Bridge (B+W, 1962, Robert Enrico)
Robert Enrico's Cannes and Oscar-winning adaptation of Ambrose Bierce's haunting tale of a Confederate soldier about to be hanged for the crime of defacing the very bridge he's to be executed off of. As he nears the fatal moment, he thinks back to his lovely wife and his homestead; a breathtaking romantic fever dream of a condemned man. As his noose snaps and he plunges into the water, he immediately attempts an escape towards the loving arms of his wife... or does he? The second in a trilogy of Ambrose Bierce civil war stories, this film has the added distinction of being the only foreign film ever aired as an episode of The Twilight Zone (in 1964). Breathtaking cinematography and an intricately-layered soundtrack make for an unforgettable experience.
Chickamauga (B+W, 1962, Robert Enrico)
The first part of Robert Enrico's Civil War Trilogy, based on the short stories of Ambrose Bierce. The most famous of the trilogy, An Occurrence at Owl Creek Bridge, won several international awards, and yet this masterpiece of dark surrealism has largely been overlooked for years, yet remains even more poetic, more devastating and more haunting than Occurrence. A young boy, who is both deaf and mute wanders away from his home on the day of battle at Chickamauga creek (a battle which claimed 35,000 lives within two days and earned Chickamauga its nickname "The Bloody Pond"). Unable to hear the carnage and without the life experience to grasp the horrors around him, he wanders through an increasingly bleak and bloody landscape perceiving it as some kind of ridiculous fantasy. The counterpoint of the boy's glee and enthusiasm to the grim realities around him make for one unforgettable cinema experience.
The Return (Color, 1973)
A slow burning ghost story with a devastating ending (as with most of Bierce's work). An old man is interested in buying a house with a bloody history, or perhaps he's just interested to know if the ghost stories are true. The housekeeper relays to him the story of the previous tenants - an unhinged man who allegedly murdered his wife without any memory of the event - as well as the ghostly presence she feels in the vacant master bedroom. Starring Rosalie Crutchley and Peter Vaughan and directed by Sture Rydman.
For the Early Birds:
The Boarded Window (Color, 1973)
This short film version of his story The Boarded Window packs a serious punch. The film begins with serene look at the daily routine of a simple woodsman trapping in the Appalachian mountains, rife with chirping birds and swaying pines, but as his dutiful wife becomes stricken with fever in their isolated cabin, the story swiftly escalates to a screaming pitch that will leave our woodsman sweeping up the splinters of his psyche.
About Ambrose Bierce:
Ambrose Bierce (one of 13 children from an impoverished Meigs County, Ohio family) was a fascinating figure who not only was a prolific short story writer, but also a newspaper editor, critic, satirist, poet, journalist and soldier who served in the army during the Civil War. He dabbled in both business and politics, was nicknamed 'Bitter Bierce' because of his caustic, sardonic wit, traveled and worked abroad and famously disappeared never to be seen again sometime during the Mexican revolution (the 71-year-old was last seen in the presence of rebel troops). Bierce is perhaps most famous for his 1891 short story 'An Occurrence at Owl Creek Bridge,' which has gone on to influence countless writers and filmmakers over the years. - The Bloody Pit of Horror
Curator’s Biography
Kat Shuchter is a graduate of UC Berkeley in Film Studies. She is a filmmaker, artist and esoteric film hoarder. She has helped program shows at the PFA, The Nuart and Cinefamily at the Silent Movie Theater and was crowned “Found Footage Queen” of Los Angeles, 2009. She has programmed over 200 shows at Oddball on everything from puberty primers to experimental animation.
Our screenings are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educational films, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.
Kat Shuchter is a graduate of UC Berkeley in Film Studies. She is a filmmaker, artist and esoteric film hoarder. She has helped program shows at the PFA, The Nuart and Cinefamily at the Silent Movie Theater and was crowned “Found Footage Queen” of Los Angeles, 2009. She has programmed over 200 shows at Oddball on everything from puberty primers to experimental animation.
About Oddball Films
Oddball films is a stock footage company providing offbeat and unusual film footage for feature films like Milk, documentaries like The Black Panthers: Vanguard of the Revolution, Silicon Valley, Kurt Cobain: The Montage of Heck, television programs like Mythbusters, clips for Boing Boing and web projects around the world.Our screenings are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educational films, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.