Oddball Films
presents Strange Sinema 53: Kinetica, a monthly screening of offbeat films, old gems and newly
discovered oddities all culled from Oddball Films 50,000 film archive.
Entertaining, experimental and eye-opening, this program’s films feature an
eclectic mix of kinetic, motion-oriented innovative art and sounds from the 20th
century. Films include the mesmerizing documentary Kinetic Art in
Paris (1971), a viscerally
challenging, kaleidoscopic homage to light, sound and motion featuring some of
the world’s foremost kinetic artists. The Dreamer That Remains (1973),
Stephen Pouliot‘s portrait of Harry Partch, one of the most eccentric and
influential composers of the 20th century. Partch invented instruments (cloud
chamber bowls, cong gongs, and more), experimented with drama and ritual and created a live
ensemble utilizing dozens of custom-built instruments. Arabesque (1975), John Whitney’s pioneering computer-generated
trance film; Who is Victor Vasarely? (1968) featuring French/Hungarian Op Art genius
Victor Vasarely filmed
at his home, studio space and art exhibitions; and Discovering Electronic
Music (1983) an introduction
to the synthesizers and computers used to create electronic music, including
the legendary Fairlight CMI, one of the first sampling synthesizers used in
music production. Segments from Faces of Chinatown (1963) depicting the underbelly of San
Francisco’s Chinatown, from its beginning to the early 1900’s with music
performed by Harry Partch; Catalog (1961) Cinema innovator John Whitney’s kaleidoscopic demo reel made
with equipment salvaged from WWII; and a trailer for Raga,
the rare doc of famed Indian sitarist Ravi Shankar.
Date: Thursday, June 28, 2012 at 8:00PM.
Venue: Oddball Films, 275 Capp Street San Francisco