Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.comFeaturing:
A Different Approach (Color, 1978)
Michael Keaton (still relatively unknown at the time) heads an all-star cast in a PSA musical comedy spectacular designed to sell employers on the idea of hiring the disabled. Nominated for an Academy Award and featuring a Busby Berkeley-esque wheelchair number, this feel-good musicalamity co-stars Betty White, Rue McLanahan, Norman Lear, Jim Nabors, Charlotte Rae and was directed by Fern Field (The Day My Kid Went Punk).
“I’m the only me far as I can see” sings a rainbow of children in this animated short from the Most Important Person series. Originally broadcast as part of CBS’s Captain Kangaroo television program, these serial shorts were the School House Rock of self-esteem. Validation is the name of the game for these positively diverse youth.
He’s Mentally Retarded (Color, 1975)
In picturesque suburbia, there’s a new boy on the block, Craig. Craig is a special boy, but his unsympathetic neighbor thinks “there’s something wrong with him.” Will he learn the error of his ways and grow to accept, and possibly even love Craig? Do you know anyone like Craig?
In picturesque suburbia, there’s a new boy on the block, Craig. Craig is a special boy, but his unsympathetic neighbor thinks “there’s something wrong with him.” Will he learn the error of his ways and grow to accept, and possibly even love Craig? Do you know anyone like Craig?
Who better than mimes to reenact the pain of being teased? They gracefully highlight their differences while other mimes mock them, their silence broken by a delightfully reassuring soundtrack.
Who's Different (1986)
One water polo player is quick to bully an effeminate nerd, until he finds out he is going to get kicked off the team if he doesn’t improve his grades. They have a very special confrontation at the school dance. His coach, an African American male, pulls the athlete aside and talks to him about difference and race. Will he learn to be more accepting and end up getting math help, or will his stubbornness land him in hot water with the water polo team?
Free To Be...You and Me - When I Grow Up (Color, 1974)
From the Emmy Award-winning TV adaptation of the quintessential hippy parenting guide, Free to be...You and Me, Roberta Flack and Michael Jackson play young children, imagining a future with their current physical shortcomings. The late great MJ croons “And I don’t care if you’re pretty at all and I don’t care if I never get tall. I like what you look like and I’m nice small. We don’t have to change at all.”
Finding a dearth of positive, modern-thinking children’s literature and programming, Marlo Thomas (That Girl) set out to gather some of the biggest names at the time to teach the new generation of children about race and gender equality, caring, sharing, overcoming stereotypes, self-sufficiency, the validity of boys owning dolls, and the brotherhood of man. First a record, then a book, and in 1974, Free To Be You And Me became an Emmy-Winning television broadcast. With singing, dancing, cartoons and puppets! The magic of Free To Be You and Me was its effortless way of making heavy ideas of feminism, consumerism and understanding palatable and entertaining for children and adult-children alike.
The Pinballs (Color, 1977, excerpt)
ABC After School Special starring 70s tomboy icon and Dynamite Magazine cover girl Kristy McNichol in a heartwarming tale of a tough-skinned foster kid who is bounced from home to home. Fresh from her success playing Buddy on the Family TV show, Kristy was just three years away from her peak in the teen sex comedy Little Darlings. Since the early 90s, she is firmly in the “where are they now” category. “Me an’ Harvey and Thomas J., we’re like pinballs. Somebody came along with a dime, put it in, pushed a button and out we came, ready or not. You don’t see pinballs helping each other now do you? Because they can’t, they’re just things.” Scores an 8 out of 10 stars on kristymcnichol.net.
ABC After School Special starring 70s tomboy icon and Dynamite Magazine cover girl Kristy McNichol in a heartwarming tale of a tough-skinned foster kid who is bounced from home to home. Fresh from her success playing Buddy on the Family TV show, Kristy was just three years away from her peak in the teen sex comedy Little Darlings. Since the early 90s, she is firmly in the “where are they now” category. “Me an’ Harvey and Thomas J., we’re like pinballs. Somebody came along with a dime, put it in, pushed a button and out we came, ready or not. You don’t see pinballs helping each other now do you? Because they can’t, they’re just things.” Scores an 8 out of 10 stars on kristymcnichol.net.
Blind Sunday (Color, 1976)
Another ABC Afterschool Special, directed by TV-movie staple Larry Elikan and starring soap opera stud Leigh McCloskey. This tender tale of puppy love was directly lifted for the Comedy Central show Strangers with Candy. It's love at first sight when High-Schooler Jeff sees the beautiful Eileen sitting poolside. After he learns she's blind, he goes about trying to impress her by "understanding what it's like to be blind" by strapping on blinding-goggles. Sometimes love makes you learn your lesson, the hard way.
Curator’s Biography
Kat Shuchter is a graduate of UC Berkeley in Film Studies. She is a filmmaker, artist and esoteric film hoarder. She has helped program shows at the PFA, The Nuart and Cinefamily at the Silent Movie Theater and was crowned “Found Footage Queen” of Los Angeles, 2009.
About Oddball Films
Oddball films is the film component of Oddball Film+Video, a stock footage company providing offbeat and unusual film footage for feature films like Milk, documentaries like The Summer of Love, television programs like Mythbusters, clips for Boing Boing and web projects around the world.