Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com
Featuring:
Trampoline Fundamentals (Color, 1961)
Slo-mo babes in all white teach us the fundamentals of advanced trampolining. With a step by step break down of front bounces to back flips, this film is way more surreal than it ever intended to be.
So You Want to be Pretty? (B+W, 1956)
In this absurd comedy, a husband and wife are so repulsed by each other's ugliness that they can't even bear a polite kiss goodbye (they settle for a handshake instead). In an act to save their marriage, they both secretly seek plastic surgery. The transformations go so well that things quickly go wrong for the newly beautiful pair. A true Oddball gem.
Calendar: How to Use It (Color, 1982)
Poor Karen shows up to Doug's door, wrapped present in hand, only to find out it's the day after his birthday party. She goes home and wistfully wishes, "If only I knew how to use a calendar." That's when the spandex-clad people in her wall calendar come alive and invite her into the "Calendar Control Center." There, they sing catchy educational songs about how tell one day from the next.
Teach your Dog Tricks (B+W, 1951)
In these days, when a man invites your young daughter back to his house to show her how to train a puppy, we might call the SVU, but in this trip back to 1951, no horrors ensue, just tons of adorable terriers doing tricks, first simple commands, then some more advanced moves and a tiny dog swarm two-dozen deep!
A hands on look at how to perform a Breast Self Exam, brought to you by the American Cancer Society and a slightly creepy male doctor.
How to Make a Movie Without a Camera (Color, 1972)
Taking a cue from Stan Brakhage, Len Lye, and other avant-garde film makers, Michael and Mimi Warshaw encourage kids to make beautiful movies by scratching and drawing directly on film. Using just these simple techniques and a catchy soundtrack, the Warshaws show that it doesn’t take a big studio budget or an all-star cast, or even a camera to make a great film.
A highly entertaining PSA in lovely Technicolor, produced as a collaboration between Kleenex (not yet a household name, let alone a genericized product) and Disn*y. Distributed freely to schools, it was seen by millions in its day, but now qualifies as a lost treasure.
Kooky film by the legendary Sid Davis about protecting your precious chopper from thieves, made with the cooperation of the Santa Monica PD. Filmed on and around the Venice Board Walk in Santa Monica, kids learn the do's and don'ts of bike security. All the while, Creepo, the worst bike thief in town lurks in the shadows. Learn all the tricks!
Do you ever find yourself giving rides to acquaintances who take advantage of the fact you're the only one with a car? Do you do your friends homework even though you really don't want to? How to Say No will help you learn why we say yes when we don't mean it, and ultimately, how to say no diplomatically.
How to Crack the Establishment Without Losing Your Identity (Color, 1960's)
In the 1960s radical culture a “plastic” person was considered shallow and soulless. Not to be outdone by the social politics of its time the Plastics Education Foundation (Wha?) sponsored this mind-boggling display of protest demonstrations and 60s rock bands, cut up with stupefying surfers, NASCAR races and even spaceflight to give our youth a helping hand as they journey into the material world of petroleum based industrial culture. A laugh riot!
Curator's Biography:
About Oddball Films
Oddball films is the film component of Oddball Film+Video, a stock footage company providing offbeat and unusual film footage for feature films like Milk, documentaries like The Summer of Love, television programs like Mythbusters, clips for Boing Boing and web projects around the world.
Our films are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educational films, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.