Crazy Cats! - Fri. April 13 - 8PM

Oddball Films presents Crazy Cats! This evening of films about wacky cats, cat fights, and people dressed as cats! The program's centerpiece is the extremely rare feature film Eye of the Cat (1969). Penned by Psycho writer Joseph Steffano and directed by David Lowell Rich, this offbeat mod thriller was shot on location in San Francisco and tells the tale of an eccentric old lady who plans to bequeath her fortune to her colony of cats. Her nephew gets wind of this and plies to re-instate himself as the sole heir, despite his severe ailurophobia (fear of cats) and his conspiring brother and auntie’s cosmetologist. Plus! Oddball Films fan favorite The Cat's Meow (1976) and erotic burlesque teaser The Fabulous Cat Girl (1950s). 



Date: Friday, April 13, 2012 at 8:00PM




Venue: Oddball Films, 275 Capp Street, San Francisco

Admission: $10.00 - Limited Seating RSVP to programming@oddballfilm.com or  415-558-8117




Featuring:



Eye of the Cat (B+W, 1969) 

Dir. David Lowell Rich, screenplay by Joseph Steffano.  Starring Michael Sarrazin, Gayle Hunnicutt, Eleanor Parker, Tim Henry.


Set in San Francisco with some great location shots, the highly entertaining “Eye of the Cat” is an offbeat thriller written by Psycho writer Joseph Steffano about an eccentric old lady who plans to bequeath her fortune to her colony of cats. Her nephew gets wind of this and plies to re-instate himself as the sole heir, despite his severe ailurophobia (fear of cats) and his conspiring brother and auntie’s cosmetologist. 

 Crazy cats, catfights, mod costuming by the ubiquitous Edith Head and an eerie score by Lalo Schiffrin (Bullit, Cool Hand Luke, et al.), along with some over the top dialogue and a strange mix of psychological horror and melodrama elevate this shindig to camp classic.  Still unavailable on DVD…



The Cat’s Meow (Color, 1976)
Engaging, well-shot educational film about alley cats and house cats was the surprise hit of the original Crazy Cats! program.  The deadpan, dry humor of the narration is a big part of the appeal of this British-made short, but the slow motion mouse acrobatics had the whole room in stitches.