Date: Friday, February 20th, 2015 at 8:00pm
Venue: Oddball Films, 275 Capp Street San Francisco
Admission: $10.00 Limited Seating RSVP to RSVP@oddballfilm.com or (415) 558-8117
Web: http://oddballfilms.blogspot.com
Featuring:
Signal Syntax (Color, 1983)
IT beat cops, tasked with helping “the layperson use their personal computers” investigate a string of computer attacks- causing severe injury and even death! Logizomechanophobia is the fear of computers. It can be brought on when machines violently turn against humans and wreck havoc. Signal Syntax instills logizomechanophobia in its viewer in the worst possible way: it places the spectator into the point of view of machines who love to hate humans! Featuring vintage computer technology, this John Remington film poses is an omen to the grudge against humanity personal computers of the future will hold.
Ugly Little Boy (Color, 1977)
Ugly Little Boy is an adaptation of the short story by sci-fi writer Isaac Asimov, about a Neanderthal boy whom scientists have transported through time for scientific testing. A conflict arises when a the nurse tasked to care for the little guy from the past grows attached and can’t bear to return him to the past. Isamov said this was his second or third favorite of his writings. The film adaptation gained acclaim for staying true to his story and the for Kate Reid’s powerful performance as nurse Fellowes.
All Summer in a Day (Color, 1982)
A classic science fiction tale set on Venus where the sun shines for just a few minutes once every nine years. Young Margot remembers her sunny past on earth but becomes a victim of teasing by her classmates. She is locked in a closet during the sun's rare appearance; when she is released it is too late: the rain has begun to fall again. Based on the story by Ray Bradbury and starring Keith Coogan from Adventures in Babysitting and Don't Tell Mom the Babysitter's Dead.
Catalog (Color, 1961)
Famed cinematic innovator John Whitney's demo reel of work created with his analog computer/film/camera machine he built from a WWII anti-aircraft gun sight. Whitney and the techniques he developed with this machine were what inspired special FX wizard Douglas Trumbull) to use the slit scan technique on 2001: A Space Odyssey. An eye-opening and inspiring work of early computer generated imagery.
Eager Minds (excerpt, color, 1955)
An engineer and professor gives an impassioned speech to his students, urging them to dream up and realize the technologies of the future, today. As he speaks, those technologies are shown dreamed up via film. See a future kitchen where a beautiful housewife can conjure up everything she needs (to prepare her dish of glazed ham) at the wave of a hand. Then, see predictions for where television will take technology. To quote the narrator, "What can you do with television? There are some interesting possibilities. Video phone, maybe- and I venture to say it will present young people with some fascinating human problems.
Stranger than Science Fiction (Color, 1968)
CBS News and Walter Cronkite made time in a pivotal year of American history to finish this report on the technologies of the world and how closely they resemble visions of the future that had been previously erected. It includes a comparison of the epic film, “2001: A Space Odyssey” by Stanley Kubrick to the real world of science and technology. Does fiction come from reality or the other way around?
Future (Color, 1980)
Future is a juggernaut-like montage of image and audio of three dystopian visions of the future. Never ending technological innovations for those that can afford them, a trashed and ruined environment, nuclear war and nuclear accidents lead to a future that I can’t wait to explore
Curator's Biography:
About Oddball Films
Oddball films is the film component of Oddball Film+Video, a stock footage company providing offbeat and unusual film footage for feature films like Milk, documentaries like The Summer of Love, television programs like Mythbusters, clips for Boing Boing and web projects around the world.
Our films are almost exclusively drawn from our collection of over 50,000 16mm prints of animation, commercials, educational films, feature films, movie trailers, medical, industrial military, news out-takes and every genre in between. We’re actively working to present rarely screened genres of cinema as well as avant-garde and ethno-cultural documentaries, which expand the boundaries of cinema. Oddball Films is the largest film archive in Northern California and one of the most unusual private collections in the US. We invite you to join us in our weekly offerings of offbeat cinema.