Oddball Films and Curator Stephen Parr present Strange
Sinema 52, a monthly screening of
offbeat films, old gems and newly discovered oddities all culled from Oddball Films 50,000 film archive. Entertaining,
experimental and eye-opening, tonight’s films feature: Land-Divers of Melanesia (1972), Kal Muller and ethnographic famed
filmmaker Robert Gardner’s collaborate to profile Melanesian men as they attach
vines to their ankles, diving headlong from a 100 ft wooden tower in the Naghol
land-diving ritual; Isaac Hayes performs the Theme From Shaft in this eye-popping, over-the-top display of glitz
from the 44th Academy Awards show in 1972; Lipstick and
Dynamite features furious femmes
battling it out for the Women’s Wrestling Championship of the World in 1949; and the famed Tiffany Chimps star in My Children (1931!), an all-monkey "chimpsploitation" comedy short. Three brilliant, hilarious, stop-motion, live-action
films by film pioneers David “Chuck” Menville and Len Janson including Stop,
Look and Listen about
“human-powered” automobiles, Blaze Glory, the 70’s midnight movie hit spoof of Western
gunfighters and Vicious Cycles another wacko short about biker gangs terrorizing scooter clubs. Two of
film genius Georges Melies’ most remembered surrealist films The Ballet
Master’s Dream (1903) and Fairy Land: A Kingdom of Fairies (1903); and 7362 (1967) the languid
rhythms of fades, dissolves and superimpositions permeate this masterfully
avant garde film by the auteur of the optical printer Pat O’Neill. Plus: Bizarre home movies from 1958, jet crash, Needle in
a Haystack contest, guy jumps into a pool of fire, and Jayne Mansfield in a
rickshaw?
Venue: Oddball Films, 275 Capp Street, and San Francisco
Date: Saturday, May 26, 2012 at 8:00PM
Admission: $10.00 - Limited Seating RSVP to
programming@oddballfilm.com or 415.558.8117.
Featuring:
Land-Divers of Melanesia (1972, Color)
To ensure a good yam crop, men
of Pentecost Island in Melanesia attach vines to their ankles and dive headlong
from a wooden tower over 100 feet tall, a ritual referred to as Naghol or
land-diving. Those who dive say the fall clears their mind. The vines are
relatively elastic and the ground is softened so injury is rare. For Pentecost
Islanders the annual dive takes an appropriate place among other rituals and
ceremonies such as blessing the taro crop, circumcising young boys and feasting
with relatives, all of which keep them in touch with the forces that control
the world in which they live. This film was directed by Kal Muller in collaboration with renown ethnographic filmmaker Robert Gardner (Forest
of Bliss, Rivers of Sand) for The Film Study Center at Harvard University.
Isaac
Hayes-Theme From Shaft (1972, Color)
Isaac Hayes performs the Theme From Shaft in this eye-popping, spectacularly (!) staged
performance from the 44th Academy Awards show in 1972. Hayes was the first
African-American to win an Oscar in a music category.
Lipstick
and Dynamite (1949, B+W)
Furious
femmes in an all-out she-brawl!
Sensitive portrayal of a premier woman’s sporting event! Which is it? Come see and decide for yourself as Mildred Burke (from Los
Angeles) and Mae Weston (of Columbus, Ohio) contend for the women's wrestling
championship of the world.
My Children (1931, B+W)
Featuring the world famous Tiffany Chimps in an early “chimpsploitation” comedy
short. An all-monkey, all talking picture!
Three
Wild Shorts by Charles David “Chuck” Menville and Len Janson Stop Look and Listen (1967, Technicolor)
In the
1960s two friends, Charles David “Chuck” Menville and Len Janson revived
the then-dead art of stop motion pixilation animation. Pixilation,
the animation of living beings, and object animation, was nothing new to film,
but Menville and Janson took the process to a whole new level both technically
and creatively.
Their
first collaboration, Stop, Look and Listen (1967), was nominated for an Academy Award. In
this short film the main characters “drive” down city streets in invisible
cars. It’s
ostensibly a public safety film that
informs the audience of the merits of following the rules of the road. Wildly
inventive use of stop motion techniques-- use of human body as vehicles(!) make
this eye-popping short a sensation.
Also
screening is Blaze Glory, a spoof of Westerns. This time our heroes and
villains ride around, without horses in sped up style. The film was a hit short
at Midnight Movie screenings in the early 70s.
Our third film, Vicious Cycles, features
a gang of hard-core bikers intimidating a prissy motor scooter club. The films
represent a revived genre and exuberant, quirky style.
The Surrealism of Georges Melies - The Ballet Master’s
Dream (1903) & Fairy Land: A Kingdom of Fairies (1903)
Remembered best today as the
master of surreal and fantastic films Georges Melies (lionized in Scorcese’s “Hugo”)
was the first true artist of the cinema.
Developing an extensive repertoire of camera tricks, Melies created
miraculous appearances, disappearances and transformations--astounding
audiences with extraordinary effects never before witnessed on the screen.
Relying mainly upon photographic illusion to tell his story, The Ballet
Master's Dream (1903) hints at the
rich imagery which Melies was capable of suggesting and is a fitting prelude to
his piece de resistance of the same year, The Fairy Land or The Kingdom of the Fairies which stands out as one of Melies' most masterful
productions.
7362 (1967)
The languid rhythms of
fades, dissolves and superimpositions permeate this masterfully dense film by
famed avant garde filmmaker and auteur of the optical printer Pat O’Neill. This
film preserved by the National Film Preservation Foundation and included in
their dvd box set Treasures of the American
Avant-Garde Film, 1947-1986.
“This film started out to
be about the motion and sound of the oil derricks that once lined the beach in
Venice, California. The derricks, which had been built during the oil boom of
the 1920's, were made of wood and rusted iron, and were largely open and
unattended. I was attracted to these towers by their moaning sounds, their heady
aromas, and the consolation of the endless rising and falling of the pump
heads. Somehow it seemed like prayer. The film came to contain a human body,
and then moving objects, which I filmed in my studio: rotating and oscillating
shapes whose outlines would merge with one another. But in a way the piece was
really about re- photography - about making something out of ordinary parts
using mechanical technology to reveal a glimpse of something uncanny.
Thirty-some years later, it
seems to be about orgasms. Joseph Byrd, later of the United States of America
(a band) made sounds on the fly from a primitive synthesizer. Burton Gershfield
stopped by with a gallon each of yellow, cyan, and magenta developers from
Technicolor, which were used to develop black and white, emulsion 7362”.-Pat
O’Neill
Bizarre Home Movies From
1958 (Color and B+W) Featuring a
jet crash in Cupertino, a Needle in a Haystack contest, a guy jumping into a
pool of fire and Jayne Mansfield (?) in a rickshaw!
