Oddball Films presents The Art of the Sixties: Manufactured Mediums, featuring films from an era of massive-scale manufacturing; a time when art converged with science and industry. Utilizing metal fabrication, industrial printing techniques and communication technologies artists became inventors and inventors became industrialists. The program features the rare documentary Art of the Sixties (1967), featuring the monumental soft sculptures of Claes Oldenberg, the metal works of Barnett Newman, kinetic artist Len Lye, Les Levine’s interactive environments, action painter Jackson Pollock and more. A seldom seen NET documentary USA Artists: Robert Rauschenberg (1966) showcases a young Rauschenberg’s innovative “Revolvers” or “Combines”- multilayered painted sculptures that expand the boundaries of art. Merce Cunningham (1964) is very rare a French-made poetic montage of movement pioneer Merce Cunningham’s dance performances in collaboration with life partner and composer John Cage with “found object” sets by Robert Rauschenberg. Food for a Modern World (1960s), shows 60’s-style industrial farming on a massive scale while Theory of Communications: Learning as Self Learning (1960s) showcases large scale, surreal “visual aid” models in a science museum entertaining and educating inscrutable 60’s school children and more. 
Date: Thursday, February 16th at 8PM
Venue: Oddball Films, 275 Capp Street, San Francisco
Admission: $10 - Limited Seating RSVP to programming@oddballfilm.com or 415-558-8117
Featuring:
The Art of the Sixties (Color, 1967)
This rarely seen documentary aired on CBS at the height of the revolutionary and hopeful changes sweeping the art world (not to mention the rest of society). The film takes an inside look at some of the leading figures in art during the decade, including rare glimpses into their studios and workshops. Highlights include soft-sculpture pop iconographer Claes Oldenburg who states “My work is not meant to be funny or even art, my work is just made to be important”, Jackson “The Dripper” Pollock, conceptualist Sol Lewitt, Les Levine, and other artists who have since become emblematic of the wild experimentation of and use of industrial processes (Rauschenberg’s silkscreens, Barnett Newman’s steel fabricated sculptures) of the 60s. We also follow filmmaker, sculptor and engineer Len Lye among his kinetic large-scale sound sculptures.
USA: Artists: Robert Rauschenberg (B+W, 1966)
A fascinating portrait of Robert Rauschenberg, one of the forerunners of Pop Art and one of the most influential artists of the 20th century. Rauschenberg’s legendary explorations into painting, mixed media, theater, performance art and costume design influenced generations of artists and together with Pop artists like Jasper Johns, collaborators like composer John Cage and dancer/choreographer Merce Cunningham stretched and redefined the boundaries of the American art. From his patricidal “Erased DeKooning”* work to his co-founding of (E.A.T.) Experiments in Art and Technology in 1966, (formed as a collaborative link between artists and engineers), to his pioneering “combine paintings” using revolving discs to his work incorporating found objects and photo silkscreened images, Rauschenberg’s work is legendary.
Merce Cunningham/Image et technique/Merce Cunningham (B+W, 1964)
A very rare 16mm print, this French-made poetic montage features excerpts of movement pioneer Merce Cunningham’s dance performances shot at the Théâtre de l’Est Parisien and Comédie de Bourges in June 1964. Cunningham, a major figure in 20th century dance collaborates here with life partner and composer John Cage with “found” material sets by Robert Rauschenberg. The film features dancers Raynal, Jackie, Etienne Becker, and Patrice O’Wyers.
Food for a Modern World (Color, 1960s) Shows 60’s-style industrial farming on a massive scale that revolutionized the mass production of food in a time when industry was also mass producing products. Produced by Welxler Films and directed by the prolific academic filmmaker Larry Yust and lensed by Isidore Mankofsky (“The Muppet Movie”).
Theory of Communications: Learning as Self Learning (B+W, 1960s) showcases large scale, surreal “visual aid” models in a science museum entertaining and educating inscrutable 60’s school children